This grammar offers a completely new approach to the study of Sanskrit, aimed at students with no previous specialist knowledge of the categories of grammar. It is a stimulating and infectious approach, designed to cultivate rapid and lasting enthusiasm for Sanskrit. Important features of the work are the use of connected passages for exercise which are intrinsically more in...(展开全部)

This grammar offers a completely new approach to the study of Sanskrit, aimed at students with no previous specialist knowledge of the categories of grammar. It is a stimulating and infectious approach, designed to cultivate rapid and lasting enthusiasm for Sanskrit. Important features of the work are the use of connected passages for exercise which are intrinsically more inter...(展开全部)

丹尼艾尔·阿里洪（Daniel Arijon），乌拉圭电影剪辑师、编剧和导演。自1959年投身专业电影制作以来，他先后在乌拉圭、阿根廷、巴西和智利拍摄过多部新闻片、广告片、纪录片和故事片，也教授过电影课程，并在杂志上发表过若干专业文章。 译者：周传基，资深电影人、教授。1950年于山东大学文学院外国文学系毕业，获英国文学学士学位。中国电影家协会会员、中国电影音乐学会理事、中国电影剪辑学会理事、中国电影评论家学会会员。他是著名导演张艺谋、陈凯歌的老师，先后为无锡国际旅游电影节、夏威夷国际电影节担任评委，1995 年为美国旧金山大学讲授电影公共课，是中国著名的电影教育家。已出版专著《电影·电视·广播中的声音》、《影片读解》，译著《旧好莱坞/新好莱坞：仪式、艺术与工业》、《电影实践理论》、《电影导演工作》等。 组织者：孙明经，祖籍山东，生于南京。中国电影教...(展开全部)

Visual narrative formulas for anyone involved in the film and tape industry.